Friday, 13 December 2013

Kirsty Mitchell Photography.

My tutor recommended that I take a look at work by Kirsty Mitchell. I took a look through all of her collections - 1,2,3 then Nocturne, My Angel and most recently Wonderland. I found it interesting to see how she has developed. It is Wonderland which appeals to me most. She started photography and Wonderland in memory of her mother who was an English teacher who inspired generations of children with stories and plays. The series has been running for 4.5 years now.

When I hear the word Wonderland I immediately think of Alice in Wonderland and I really get a sense of fairytales from Mitchell's photographs.

I have selected a few of my favourites.


The Lavender Princess.

What really amazed me was that Mitchell and her team (made up of friends) all make the costumes and props themselves - including the smoking umbrella! I love that so much thought and preparation has gone into the surroundings as well as the outfits mixing real life with fantasy.

The Candy Cane Witch,

There is something about this which reminds me of Tim Walker who I am a great fan of. He often uses oversized versions of regular items to create images which are almost surrealist.

Gaia's Spell

I love the bright yellow which mirrors the yellow of the field and how the model is even holding a tiny version of the ship. The majority of Mitchell's images all contain smoke, adding to the dreamlike feel?

The Ghost Swift.

Every time I look at this image I see something new. I really like the attention to detail and the depth that has been created within this shot.

An Ocean of Tales until the Shores of Home.

The pages of this book quite literally come alive in this image. The title makes me think that reading books is a journey that can take you all around the world, when you close that book you are home again.

I would love to be able to create images that are as creative as these for my final assignment, although Mitchell often waits a year to shoot an image so that the back drop is exactly as she wants it! I really need to start developing ideas of my own and viewing the Wonderland series has really inspired me to do that.



Wednesday, 27 November 2013

Getting a bit of practice and easing myself back to photographing.

Due to my work with Cambridge Style Week I spent the day at their Model Search. This gave me the perfect opportunity to get back into the swing of things, I cant remember the last time I picked up my camera before that as I have felt ill for so long.

The day consisted of models who had applied to walk in our week of shows basically auditioning in front of our celebrity judges. The best male and best female would also be selected to become our model ambassadors. I was given the job of shooting all of the head shots.

The model search took place in a college in Cambridge so understandably lighting was pretty poor! I tried using the built in flash as I did not think to take my external flash. I ran into problems straight away as the photos had to be taken in front of a rather reflective banner. In the end it was necessary to increase the ISO and use a smaller aperture. I had at least remembered my tripod which meant that once I was properly set up I didn't need to keep making adjustments while the models were waiting. The tripod of course also allowed for a much slower shutter speed to let in as much light as possible.

After this I also starting photographing the models while they were practising their walks in front of the judges. Again lighting was not great even though we had moved upstairs to where there were lots of windows, unfortunately it was such a dull day.

I am hoping I will be able to add a few of the images into this blog post once I have supplied the relevant people with copies.

I do think that the day boosted my confidence slightly and after a brief panic I was able to navigate my camera and start to get back in to photographing again. By the end of the day I can safely say that I was completely exhausted, a reminder that I still shouldn't be pushing myself too much.

Friday, 22 November 2013

Reading : Fashion Photography.

This week I have been spending my time reading and learning about various fashion photographers. This has lead on from watching the documentary last week. I had been given Fashion Photography: A brief history, list of publications, and most influential figures in fashion and editorial photography edited by Monica Millian.



The book is not quite what I had expected. For a start the information had been collated from a variety of 'high quality' Wikipedia articles. This meant that I then had to double check that all of the information was correct mainly for my own piece of mind - it was all accurate.

The book started with a brief overview of photography in general and then specifically talked about fashion photography. I am not sure that the section regarding advertising needed to be as long as it is. Information on fashion magazines such as Vogue and Harpers Bazaar was particularly interesting to me as I am also a fashion writer and am of course very familiar with these publications.

I think that the chapter on 'The Pioneers of Fashion Photography' was a long time coming - it starts at page 79 (of 129). Some of the photographers I had heard of such as Cecil Beaton, Irving Penn and Richard Avedon but others I had not like Louise Dahl-Wolfe so at least this proved to be a worthwhile exercise.

All of the 'Fashion and Portrait Photographers of Today' were known to me but it was nice to refresh my memory.

Generally the book was helpful in providing a basic overview, I think for more detailed info I will have to look elsewhere. This was a useful starting point.

Friday, 15 November 2013

Seven Photographs That Changed Fashion.

When I ran ideas past my tutor for the subject of the final assignment one of my topics was fashion. This is probably no shock given that I am a Fashion Writer and Fashion Blogger. My tutor suggested that I take a look at a program about Rankin in which he recreates seven iconic photographs that shaped fashion photography.



After much searching (it is no longer available on BBC iplayer) I eventually found it. You can view it here.



 
Cecil Beaton - Hat Box - Vogue - 1934.
 
 
I think that Sophie Ellis-Bexter was a great choice here as she naturally has a 1930s look about her. Rankin shot two versions of this image; the first he used a similar camera and light, the second he shot digitally. The authentic version actually captured the look much better because it was truer to the original.
 
 
 
Erwin Blumenfeld - Vogue Cover - 1950.
 
 
Rankin used Heidi Klum to recreate this Vogue cover. In the original Blumenfeld actually bleached out and added colour at the printing phase -I had not realised it was actually shot in black and white. After shooting, Rankin had the image manipulated using 21st century techniques. By Klum sticking her tongue out in Rankin's version they have created a cheeky update of a timeless classic.
 
 
 
 
Richard Avedon - Dovima with elephants - Harpers Bazaar 1955
 
This image saw Rankin take a trip to Whipsnade Zoo with Erin O'Connor. As Rankin himself says this is the "perfect photograph combining grace, beauty and creative inspiration", and I very much agree. 
 
 
 
David Bailey - Jean Shrimpton - Vogue 1963.
 
For his own take on this striking image by Bailey Rankin has chosen to shoot his own girlfriend who is a model. This is probably the only image in his series that I am unsure about. I would of expected him to select someone who looked like Shrimpton as he has with the majority of the other images. Aside from that he did initially keep to an authentic technique by using the same camera that Bailey himself used. Also instead of a wind machine a large piece of card was used to go get movement through the hair. The shot was then produced again digitally for comparison. I still remain unconvinced, yes the pose is nearly identical and I guess you could argue that Rankin has used someone he has a personal connection with which definitely puts his own mark on the photo.
 
 
 
Helmut Newton - Rue Aubriot - Vogue 1975.
 
Again the details are as accurate as possible with even the original street being used and Rankin receiving assistance from the model in the original shot. Jade Parfitt was used for the recreation an her position is almost spot on.
 
 
 
Guy Bourdin - Untitled Vogue 1970.
 
 
Again I was a little unsure about this photo. Rankin has used model and fashion designer Daphne Guinness for the recreation. Bourdin was well known for creating commercial images that have the feel of art, and I just don't think that Rankin's version has the same feel about it.
 
 
 
Herb Ritts - Fred with tyres - Per Lui 1984.
 
 
Rankin shot this photo of model David Gandy with the same camera Ritts used and then with a Polaroid. The background of the image has been digitally altered so that it appears darker like Ritts original so that Gandy stands out more.
 
 
I really enjoyed watching this program and found it particularly interesting. I think that it has successfully illustrated how fashion photography is constantly reinventing itself and how these original images helped to mould what we know as fashion photography today. Rankin has made me want to try something similar and select images I feel a connection to, to then recreate my own interpretations.
 
 
 








Friday, 8 November 2013

One thing after another....

It feels like forever since my last update. My glandular fever had started to improve which was great, but sadly my mum passed away suddenly two weeks ago. Even though she had suffered with dementia we thought we would have longer with her.

I have decided to gradually get back into working towards my degree. It may take me a while but I will get there. Working for myself now gives me the freedom to schedule time to devote to studying so my aim is that I shall spend Friday each week getting some of the projects and research done.

Today has been my first day back so to speak and I have spent the time looking through the whole of the DPP course, familiarising myself with what I have already done. It feels like I have been away for so long that I couldn't remember what I was doing when I stopped studying. I have also been taking a look at the exercise sharpening for print and it has been good to get back into the swing of things.

I am trying not to put too much pressure on myself now and just take things easy. I am still not 100% and do get tired very easily but  feel better than I was and think now is the right time to resume the course.

Wednesday, 28 August 2013

Update...

Since my last post things have not been going well. I had been feeling very unwell, extremely exhausted and thought I was getting a throat infection. After putting up with it for a couple of weeks because I was working notice out on my job, I then decided I had better see a doctor. After running tests they told me I have glandular fever-which explains the unbelievable tiredness.

This could not have come at a worse time. I should have been working on my final assignment for DPP but I have just been feeling too ill. To top it off now that I am self employed as I am not working I am obviously not getting paid. I spoke to my tutor about it, and he was really helpful. I had applied for formal assessment in November and I was obviously worried I would not be well and have the work done in time. He suggested that I contact OCA and explain the situation as my health should come first. I am hoping I will hear back this week so that I am not worrying (something else I should be avoiding).

Glandular fever can unfortunately drag on for months and there is no treatment for it, you just have to sit it out. I have been researching anything that may help so I am drinking and eating all of the best foods. My aim is that on the days I am feeling better and a bit more awake I shall try and get more of my research done and onto the blog. I shall also start loosely planning the assignment as I am hoping to photograph my own fashion shoot.

Sunday, 21 July 2013

Personal Development.

It was mentioned that I should try and include more of my own personal development and journey through the course.
Through being a social media intern at Cambridge Style Week I was asked to go along to a private viewing of work by local artist Tess Ainley at a boutique in Cambridge called Boudoir Femme. Tess was taking part in Cambridge Open Studios for the month of July.
This was a great opportunity for me to try something different. I am very much into fashion and have a love of art so it was nice to be able to combine the two.
Below I have included some of the images I shot.

 
 
 
 



 









 
 
 
 
 
 


 
 
There is definitely room for improvement. This is the first time I have done this kind of shoot. I found it quite difficult to get the lighting right. I could also have experimented with the aperture to create different effects. I thoroughly enjoyed the evening and would definitely shoot in this kind of environment again, hopefully a little practice will see my technical ability vastly improve.

Computational Photography: The snap is only the start.

In my feedback for assignment four I happened to mention that I feel I am continuously learning and my tutor commented that "as visual artists we must all continue to feed our knowledge base and learn new skills as the technology we use for our craft is forever evolving". This is very true and something that I had not considered. As a student I expect to be learning all of the time but had never really thought that even experts in the field to not know it all.

My tutor suggested I read this article on the BBC News website (http://www.bbc.co.uk/news/technology-23235771)

This really illustrated the point well that technology is forever evolving and we must all be prepared to move with the times to stay up to date with what is happening.

I found the concept of 'computational photography' fascinating. The idea is that the camera will allow you to see through a crowd and "have a clear view of someone who would otherwise be obscured, a smartphone that matches big-budget lenses for image quality, or a photograph that lets you change your point of view after it's taken".

Whilst these ideas are amazing and they all have their place, I can't help but think that in a way they are ruining the art of photography. What happened to waiting around to get that clear shot of someone? Having a smartphone in some incidences would be helpful when it is impractical to carry a lot of heavy camera equipment, but does camera phones not make everyone a photographer? While some are trying to really learn the craft, others may be their with their smartphones merely pointing and pressing. I have many times taken a shot and post processing wished I had gone for a different viewpoint, but this is all part of learning and going for several different compositions at the time of shooting.

I do welcome advances in technology but part of me will always feel that the fun is being taken out of what we are trying to honestly achieve.

Project: A web gallery.

I have previously considered setting up a web gallery and have even gone as far as to start the process online. When it comes down to it I feel that I am not quite ready. I do not think that I have enough 'viewable' work and I have not developed my style. Whilst I am leaning towards fashion photography, producing a web gallery seems like too a bit leap at the moment.

There are various points that should b carefully thought through before producing a site:
  • What is the purpose of it? Is it just for family and friends or is it to promote your business?
  • Easy navigation for viewers is a must.
  • Each image must be presented as well as possible.
  • Do you want to look like other photography site of be unique?
  • It must be easily searchable.


I have instead looked up other peoples web galleries rather than creating my own just yet.

The first person I came across is Dan Kennedy who is a celebrity and fashion photographer. I like his site as it is clear, stylish and easy to navigate.



Another website I was impressed by is Claire Harrison Photography. She is a London beauty, fashion, hair, advertising and editorial photographer.


Again her site is quite simple with easy navigation. The main focus is her image as it occupies a substantial area of the screen.

Next in my list is Gavin Gough who is a freelance travel photographer.


The main image is a slide show which I like as you get more of an idea of his style rather than just having the one image as a background. There has been a pattern among most of the photographers work I have viewed, they have all chosen a white background which makes the sites appear crisp and modern.

Viewing these photographers sites has reinforced the fact that I do not feel I am ready to produce my own gallery yet. But, this is something that I shall definitely be working towards. Viewing others work and the styles they have chosen have helped me to decide which style I would go for and how I may set up my layout.

References:

Dan Kennedy - http://www.danielkennedy.com/
Claire Harrison Photography - http://www.claireharrisonphotography.com/
Gavin Gough - http://www.gavingough.com/


Saturday, 20 July 2013

Exercise: Sharpening for print.

We are to take an image that has been processed-a portrait is ideal. I have chosen an image I shot of my sister for the first part of this course. Make sure that no sharpening has been applied to the image you are to use for reference. Then make three more versions with varying degrees of sharpening.

Print all four examples and compare  them with each other as well as the 100% magnification images on-screen. Note any differences.

Original Image.



Image 1.




Image 2.




Image 3.


After printing out and comparing all of the images both on and off screen I would have to say that my personal favourite for this style of image would be image number 1 as it gives the softest appearance. Image number 2 is quite near to the original shot and I feel that image 3 emphasises any skin imperfections. I do think that there is a time and a place for the harsher sharpening, just not in this case.

Assignment 4 Feedback.

I received my feedback and I was pleased overall. I really do try hard with my research and I think that this is probably my strong point. My tutor pointed out that my final resolution could be tweaked a little bit.

Ideally I should of shot the image of myself in the exact same lighting conditions as the bookshelf. Of course this is obvious to me now!

I also need to improve on cutting out the shapes in Photoshop which I think is a fair comment. This was really the first time I had done this so I realise there is a lot of room for improvement. It was noted that my attention to detail was great as I had paid particular attention to creating the correct posture and composition of someone sat on a bookshelf.

My tutor also suggested that for the final submission I could have another go and take into consideration the technical suggestions made.

I really must try and include more of my own personal work as it will show more of my own development.

I am really looking forward to getting stuck in with the final assignment. Things have been a bit manic recently and I am in the process of leaving my current employment and starting as a freelance writer. Finding time to fit everything in is a bit of an issue but I am sure it is nothing careful planning cannot fix!

Tuesday, 2 July 2013

Dogs dressed as their owners!

Through my work in a Veterinary Referral Centre I was sent a link to the website for The Guardian newspaper showing dogs dressed as their owners. Swiss photographer Sebastian Magnani put together images of people with four legged friends to create a series called Underdogs.
I really like the fact that it is something a bit different, and how many times have you seen  dog with its owner and thought they look similar.
Obviously Magnani has used photoshop and the dogs are not literally wearing the clothes. I think that this links with what I have been working towards with my final assignment. There is digital manipulation apparent here but as it is clear to the viewer it makes the images feel honest. As they are not being passed off as being something they are not I find this kind of alteration acceptable.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 


Monday, 1 July 2013

Assignment Four : Real or Fake.


The object of this assignment is to produce a photographic image to illustrate an imaginary book or magazine cover. Explore the areas of adjustment and (possibly) manipulation that would make the image successful as a cover. Accompany the finished image with a description of the techniques you considered using and finally used, and also your ethical justification.

 

While working on the preceding exercises I will always have the following assignment in the back of my mind so that when it comes to starting it I will not have to rush deciding on the subject. This time things have not gone to plan and I am still struggling to think of a suitable topic. I have therefore decided to research examples of ‘fake’ photography in the hope that inspiration will strike.

 

Research.

 

My first example, I am sure everyone is aware of. It is the story of two young girls, Elsie Wright and Frances Griffiths who produced a series of five images which supported the argument that fairies did in fact exist. The girls started taking photos in the beck that was behind Elsie’s house in Cottingley by using her father’s camera. Their most famous image (shown below) pictures Francis in the background behind a group of fairies. This whole concept plays on the fact that if there is a photograph of an incident occurring then that is deemed as evidence.
 
 
 
The cousins did confess many years later that four out of the five images were fake, achieved by creating cut outs of the fairies and then placing them in front of the lens while the photos were being exposed. Elsie did insist that she had seen fairies and that the fifth image (below) was in fact genuine.
 
 
While they maintained their story for decades there is a sense of innocence around this story. I do not think that the girls were out to do any harm. Maybe they themselves believed their own story and that fairies do exist and that is why they were reluctant to admit the truth. On the other hand, even though they were only young when they first created the images, children of a similar age would either write stories or draw pictures to illustrate the same point. The lengths these girls have gone to seem much more sophisticated, does that strip away the innocence?
 
Another example of ‘fake’ photography that I remember would have to be the image by Jose Luis Rodriguez. He became the 2009 Wildlife Photographer of the Year Award with his photo called ‘The Storybook Wolf’.
 
 
The judges ruled that the wolf was most likely to be a tame ‘model’. Rodriguez was quite rightly banned for life from entering the competition even though he still insists that it was a wild wolf that he photographed. This type of photography is completely dishonest and considering the prize money of £10,000 the guidelines should be strictly followed.
 
Planning.
 
Feeling suitably inspired I started to think of my own subject. I immediately wondered about using a children’s book as my canvas. I started googling children’s books and while I was looking I suddenly thought that my choice should be The Borrowers. I don’t know why this had not come to me before, as someone who is ‘vertically challenged’ I am used to being called a borrower myself!
I came up with two ideas, the first being to have my finished cover as someone sat on a bookshelf in front of a row of books; my second would be to have a pair of legs filling most of the cover with someone sat on the floor very small between the feet.
Ideally I was hoping for a dry day as I was not overly keen on having to balance on a wet fence!
Giving equipment consideration I chose my 18-105mm lens and tripod. I realised I would not need a long lens but the distance between the tripod and myself would depend on and even areas of ground I could find.
Before setting out I reset my camera settings. I have started shooting in RAW and JPEG fine so my camera makes two copies. I also wiped my memory card so that I would not run out of space, made sure my camera lens was clean, checked the memory space on my laptop so that I would have room to transfer the images over and charged the cameras battery. I knew that I would not need to take a spare battery as I felt I would be able to get my shot with minimal attempts.
 
The Shoot.
The shoot went well. I had to try out a couple of locations. The first I went to had a fence with just one bar to sit on and I found it impossible to balance. Luckily my second location was perfect. I tried out a couple of sitting positions, one with my hands on the fence which would look like I was holding the shelf and the other with my hands in my lap.
Downloading the images.
I downloaded all of the images onto my laptop in the pictures folder and then viewed them all using Adobe Photoshop Elements 9. I am carrying on with my labelling system and can easily locate any images I need.
Pictures> Digital Photographic Practice> DPP Assignment4
First Edit.
As I was unable to balance on the fence successfully at my first location I did not get any images. At my second location, next to a park, I was able to get 10 shots. I have edited out any which are quite similar or that I knew would not work for a final image. This left me with four shots. I tried out a couple of sitting positions and also with me looking in different directions.
 
 
Second Edit.
I really wanted to get down to the one image on this edit. I decided that the better images had me looking at the camera, otherwise the viewer is left wondering what I am looking at and it makes the overall image appear unsettling. I also felt that I look much more relaxed with my hands on my lap as opposed to being balanced on the fence.
 
 
Second shoot.
Having decided on how I would be positioned, I turned my attention to my background. I decided to use the area on my bookshelf that held a few of my photography books. I needed to create a small gap in-between them which would be the area where I would sit. This shoot was more a case of getting the lighting right. The room I as photographing in leads from another room so has no natural light source of its own. I definitely needed the tripod to prevent camera shake as I needed such a slow shutter speed to let in as much light as possible.
 
 
Adjustment/Manipulation.
Now that I have decided on both elements of my front cover, it was time to put them together. I altered the exposure of the bookcase slightly as well as cropping the sides so that the cover would be more in proportion.
The bit I found hardest was working out how to superimpose myself onto the bookshelf. I watched several tutorials online to give me some tips and experiment with various techniques. To create the effect I first opened the layers window and then added a duplicate layer. I used the polygonal lasso tool to go around my outline. Once I had done this I was then able to right click and layer via cut. I could then select the image of myself and drop it on to the bookcase background I had previously opened. After some careful positioning and resizing so that I was a little smaller, all that was left for me to do was to crop the image as a whole to appear like a book cover and then add on the text.
I watched other tutorials with various techniques on how to achieve the same result but I found this one the easiest to follow. My other options can be found in the references showing which tutorials I watched.
 
 
Final Image.
 
 
Conclusion.
This assignment really was a challenge for me as I had to do a lot of other research to find which method I found easier to create the effect I was after. It has made me realise that I am better with the shooting of an image than I realise and that what may hinder me slightly more is my ability with things like Photoshop. Like I have said many times before, these exercises and assignments are all part of our learning processes. I have still tried to draw on elements that I have learnt throughout the course, particularly with showing my workflow. I have also tried to show more of the images that have led up to my final piece, where as I am sometimes guilty of showing my last image but not the process that went in to creating it as well as why I chose not to use other shots. If I was doing this assignment again I may try and rather than use an existing book, use my imagination a bit more and come up with something completely different. I also think that the perspective may be slightly out and that my knees should have been a little more bent to really show that I am sitting.
I really enjoyed researching for this assignment, not only finding out how to create my final image, but also looking at how other students had approached it and what they had created.  Come the end of the assignment I achieved more of a sense of satisfaction than I had with any of the others. I really felt that I had learnt a new skill and would be happy to carry out the whole thing again. I have come to realise that there is a place for manipulating images in this manner. I personally feel that as this image has been so obviously altered it is still honest. I think that when someone is trying to deliberately mislead the viewer into believing an image is completely genuine, this should not be allowed. I do find the whole concept very interesting and can see why a person may want to use these techniques particularly with regards to advertising.
Reflection
I have re-read the assignment criteria and tried to gauge how well I have done.
Demonstration of Technical and Visual Skills – I think that at the start I was unsure how to achieve the result I was aiming for because I lacked some technical ability. Through research I feel I have improved and have become competent in this area. I still believe I am continuously learning and always try to apply new skills where I can. I believe I have good visual skills and may be more confident in this area.
Quality of Outcome – I always try and present my work neatly and have been improving on showing my workflow. I think that I produce well written note to accompany my images. My research contributes to a more well rounded and knowledgeable outcome.
Demonstration of Creativity – I always try to be original and creative with my shots and I think my imagination has shone through more with this assignment than any of the previous ones. This is another area I have tried to work on.
Context – I have been carrying out more research both online, through visiting galleries, viewing other students work and undertake further reading. I believe I am good at reflecting on my work and can always find areas for improvement. I carry out my own research, visit galleries, work on my own projects and undertake further reading. I have also tried to view other students work more to see how others approach the same projects.
References.
 

Tuesday, 18 June 2013

Exercise: Alteration.

Take a photograph which contains one distinct subject occupying an area of between one-eighth and one-sixth of the total image. The aim is to successfully remove this one element, replacing it with elements from the background or foreground.
I chose to use one of the images I took at Duxford last year. It shows five planes but one is separated from the group so I have chosen to remove it from the shot.





 
Here is a screen shot of the image after I had edited it. I used the Clone Stamp tool to replace areas with adjacent areas buy selecting a background area, copying it, and then pasting it over the area that needed retouching.
 
It is not absolutely perfect but it has come out much better than I had expected. With a bit of practice I am sure I can produce an image where any alteration will not be noticeable.
 

Exercise: Addition.

For this exercise we must first photograph the same image making two different exposures. One exposure should be perfect for the landscape and the other perfect for the sky. After processing without trying to make any significant compensation, combine the two images.

I have photographed my house as I knew it would be an easy image to get. The first shot has been exposed for the house.

 
 
The second exposure has been made for the sky.
 
 
 
 
I thought that I would give photomatrix a try and so downloaded a free trial version. I was able to merge the photos but as you can see, the clouds had moved between exposures so the image is not a direct fit. Practice and further research is required here to be able to successfully process the image. The exposures had 3 f stops between them.
 
 
 
Part two of the exercise requests that I either take the same image or shoot a new one and combine with a different sky, either new or an existing photo. I have chosen to use the same image of my house which I have cropped and have then taken a different shot of the sky. I have also decided to try and combine them using photoshop this time.
 
 

 
 New sky image.
 
I have combined the shots by using the polygonal lasso tool to select around the roof of the house and have then been able to cut and paste onto the shot of the sky. I was careful to create a layer so that I would not effect the original shot. I actually found this easier and than the method I used for the first part of this exercise. I think that with practice I will improve with the technique. I tried to take into account the direction of the sun when it cam to taking both images as this would have an effect on the end result.
 
 
I do feel that the second part of this exercise is more dishonest as it is two completely different photos. The first part was more acceptable as it was a near identical image with the only difference being the exposure.